How To Play Different Keys On Guitar

Sometimes when a song moves to a new key on the guitar, that change introduces a completely different chord progression. Here, yous start with a chord progression in A, followed past a new chord progression in a different key, C. The last chord in the instance, E, leads back to A, the tonic of the starting time chord progression.

Credit: Illustration courtesy of Desi Serna

"Oh, Pretty Woman" by Roy Orbison uses a primal modify similar to the ane here. In it, you hear a verse with a chord progression based in A major and a bridge with a chord progression based in a different central, C. Both the cardinal and the chord progression change. There'due south too a bit of borrowing back and forth earlier everything finally settles back to the original fundamental of A.

Technically, yous could likewise say that the opening and poetry switch tonics within the key of A. The riff (chosen the Intro and Interlude in some scores) starts on an East chord, giving y'all the impression that Due east is the primal, before surprising you with a verse centered on A.

You hear something like in "Summer of '69" past Bryan Adams, where the bridge presents both a new primal and a new chord progression. The primary part of the vocal centers on D and the D major scale, while the bridge centers on F and the F major scale with a new chord progression.

Another example, "Tears in Heaven" by Eric Clapton, mainly centers on A and the A major scale, but the bridge changes to C and uses a somewhat different chord progression.

Coincidentally, all 3 of these songs modulate up a f3rd at the bridge.

Open your record collection or favorite media player, considering here are more examples for y'all! "What I Like about Yous" by the Romantics has a bridge that is completely different from the rest of the song. "Stuck with You" by Huey Lewis and the News changes from C in the verse to D in the chorus with a slightly unlike progression.

"Schoolhouse'due south Out" past Alice Cooper starts in E Dorian but eventually settles into the chorus central of G minor with a completely unlike progression. "Sweetness Child O' Mine" by Guns N' Roses is centered in D Mixolydian way through the first half of the song but switches to E minor and a new progression just past the halfway marker (guitars tuned down i half step to Ef).

When tracking a vocal with chords that don't all fit into one key, intermission the song into individual parts that tin each fit into a key. All the vocal examples hither have parts that are almost like mini, divide songs in themselves, put together to course a larger whole.

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Well-nigh the book writer:

Desi Serna, hailed as a music theory expert by Rolling Rock magazine, is a guitar player and teacher with over x,000 hours of experience providing private guitar lessons and classes. He owns and operates one of the most popular guitar theory sites on the web, guitar-music-theory.com.

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